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Indiana Jones and the Kingdom of the Crystal Skull

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I’ve always loved the original Indiana Jones trilogy — outside of Bond, I used to consider them my favorite movies. About a month ago, after I was done my most recent weekly Bond re-watch (this time I only re-watched the Connery and Craig films), I decided to re-watch the Indiana Jones movies, as it had been a while since I’d last seen them. I was actually even looking forward to re-watching Kingdom of the Crystal Skull, not because I really like it — I don’t — but because I actually hadn’t re-watched it since it originally came out, and was curious about it, having pretty much forgotten the entire story. It’s such a weird thing. It does have some fun moments, some good action sequences (like the truck chase in the jungle), and it’s great seeing Marion again and her interacting with Indy, but the biggest problem is just that it’s not really fun to see an old Indy trying to do Indy stuff (and that’s why I’m excited at the prospect of a new Indy movie with a new actor). That also means it’s not the time period we want. And yeah, no one wanted to see extra-terrestrials in an Indy movie (and famously, nor did Ford and Spielberg, but they were forced into it by Lucas). So as much as I still love the original films (Raiders and Temple of Doom pretty much tied as favorite, followed by Last Crusade), it’s a bit of a shame that they ended things on Crystal Skull.


Vertigo

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After Bond and Indy, I’ve started a new weekly film series (something to watch on Sunday nights) and I’ve decided to re-watch Hitchcock (not all, but my favorite movies of his). I’m a big fan of his films, and I feel like it’s been a while since I’ve watched most of them, so perfect time for a revisit. I kicked it off last night with Vertigo, and still found it to be very entertaining. Luckily, I didn’t remember the twist, so it was fun to see how exactly the film heads towards its ending — and what an ending, definitely not the type of thing you’d see in a movie nowadays. As for the series, I don’t plan on watching them in any particular sequence, but rather whatever I’m in the mood to watch.

Red Sparrow

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A week ago, on a Saturday night, I ended up watching a quadruple-bill of films all lead by women, and I kicked it off with this. I was actually expecting something that was more action-oriented — something more Atomic Blonde, for example — but instead found it to be more on the dramatic spy thrillers side of things. I liked it fine, but can’t say I was especially wowed by it, and it did feel long at times — but I was pretty into it for the last 30-40 minutes, as it started heading towards the climax, which I didn’t see coming (I had guessed something different).

Terminal

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Following Red Sparrow, my 2nd film of the night was Terminal, and this is a weird one. I didn’t really know what to expect, but I was attracted by the stylish visuals that I saw in the trailer. In the end, that’s pretty much the main reason to watch it, as it has some incredible lighting throughout. For that alone I would probably recommend it, even if the story itself is a bit all over the place, and not as clever as it seems to think it is. As for the actors, Margot Robbie is definitely great, and the main draw here.

Proud Mary

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After Red Sparrow and Terminal, it was on to Proud Mary. This film has its moments, but they are far and few between. I basically wanted to see a movie in which Taraji P. Henson is kicking ass, and there’s a scene towards the end that’s terrific, but it’s only 5 minutes long (it’s the action sequence that has the “Proud Mary” song playing). Unfortunately, most of the film gets caught up in the drama of rescuing a young boy, and I just didn’t find that to be particularly interesting.

Jane Got a Gun

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After Red Sparrow, Terminal, and Proud Mary, I capped my evening off with this movie, which I’d been wanting to watch for what feels like forever. This ended up being my favorite film of the bunch. I’ve been watching a lot of westerns lately, and this is a very good one, made even more interesting because it puts a woman in the lead role. A simple story, but one that was quite entertaining to watch.

Brooklyn Nine-Nine

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I finally decided to give Brooklyn Nine-Nine a try (from season 1, on Netflix) and I gotta say that it’s really growing on me — to a point where I binged close to the entire season this weekend. I wouldn’t put it on the same level as The Good Place or The Last Man on Earth (my two favorite comedies from recent years, and I’m still devastated that the latter was cancelled), but it’s a solid Parks and Recreation-like. The cast is fantastic, and that’s pretty much how you get drawn in and addicted to the show. I’m sure it won’t take me long to blast through the other 4 seasons.

Chelsea Peretti: One of the Greats

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As I just wrote, I’ve been binging Brooklyn Nine-Nine, and my favorite character on the show is the one played by Chelsea Peretti. Over the weekend I was reminded that she had done a Netflix comedy special, so I went and watched it, and I’m glad I did. What she does in Brooklyn is not unlike her stand-up style of comedy, and I love it. She also plays around a bit with the tropes of stand-up comedy specials, with sequences that are mostly weird and surreal, and that’s a kind of comedy I like. This special definitely turned me into even more of a fan.


The Terror

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I only decided to check out The Terror last week, once its season was over, and it only took me a few days to watch the whole thing (I finished by binging the final 4 episodes). What a fantastic series. It’s a slow burn, that’s for sure, and so I feel that watching it like I did was probably more enjoyable than on a weekly basis. But yeah, just an amazing story, with an outstanding setting, and horror that comes from the psychological drama of it all more than anything else. I was absolutely shocked by the scene at the end of episode 7 that involves Hickey revealing his true self. And horrified. Can’t recommend this enough, although it’s probably not for everyone.

Thorgal

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Yesterday, in the weekly team newsletter I help produce, I started including a “bandes-dessinées” (Franco/Belgian comics) recommendation column, and figured why not share it here too. Here’s what I started with.

I love the sequential arts, and have found myself reading comics, manga, and bandes-dessinées (BD) my entire life. After half a life spent in Japan, I drifted away from the world of BD, but since moving to Montreal I’ve been diving back into that world, discovering interesting new series, while also re-reading some of the classics – and I get all of these from one of our nearby libraries, since we find ourselves smack dab in the middle of the Mordecai-Richler and Marc-Favreau libraries. Each week I’ll highlight one of these series – and yes, they’re all in French, but even if you struggle with the language, comics are a great way to practise your reading skills (and some of these may have English editions as well).

For this first column, I’ll bring up Thorgal, a series I’ve been devouring in recent months. It’s a fantasy series – with a touch of sci-fi – that tells the story of man who is raised in Viking culture, but later discovers that his roots lie elsewhere. Written by Jean Van Hamme (XIII, Largo Winch, Wayne Shelton) with fantastic art by Gzegorz Rosinski, there are 35 books in the main series so far (Van Hamme handed over the reigns to Yves Sente from the 30th volume), and a few spinoff series as well. I never got into Thorgal when I was a kid – I think I found it too dark at the time – so this was my first time reading it, and I love it. I’m not the biggest fan of fantasy, but the stories here are epic, with ongoing storylines that keep you looking forward to the next book, and the sci-fi inclusions are fun too.

Le Spirou de

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Les aventures de Spirou et Fantasio is one of those classic series that most kids who grew up reading BDs have read – I loved the series so much that I even named my first dog “Spirou.” I continue to read the main series through its creator changes – with my favourite runs being by Franquin (1-19, 24) and Tome & Janry (33-46) – but what I’ll highlight this week is a spinoff series that started a few years ago. Referred to as “Le Spirou de” (The Spirou of) it’s composed of one-shots done by different creators who are allowed a more personal take on the characters. There have been 13 releases so far, and highlights include Yann’s Le tombeau des Champignac, Emile Bravo’s Le journal d’un ingénu, and Lewis Trondheim’s Panique en Atlantique – but they’re all really fun reads, and I love reading these “alternate” takes on such classic characters.

Isaac le Pirate

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This week I bring up a wonderful series by Christophe Blain called Isaac le Pirate. It tells the story of Isaac Sofer, who initially sees himself as a painter, but ends up joining a pirate crew, which then leads to odd and sometimes grim and sometimes humorous situations. The love of his life also sees her story told while he’s away – as he struggles to get back to her – and we get to meet some other interesting characters as well (like Jacques, Isaac’s partner-in-crime, who gets a book named after him). The series is made up of 5 books, and although it’s never been said that it’s over, all 5 were released between 2001 and 2005. It’s well worth reading for its mix of humor, drama, and high sea adventure. I’ll also recommend Blain’s Gus series, set in the wild west.

North by Northwest

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I’ve been watching Hitchcock films on Sunday nights, and after kicking it off with Vertigo, my second pick was North by Northwest. It’s still really great and I enjoyed it a lot, but the thing that really hit me while watching is is the sheer number of perfectly composed shots (like that the shot of the UN building, above) — such a master.

Marnie

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The third movie in my Hitchcock marathon is Marnie, not necessarily one of his better known films, but one I remember liking a lot — and of course it doesn’t hurt that it stars Sean Connery. What’s great here is that I had really forgotten how the story went, so I was pretty shocked by the ending, which actually packs quite a punch for a film done back then (mid-sixties). Well worth watching.

The Man Who Knew Too Much

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The latest Hitchcock film I’ve watched is The Man Who Knew Too Much, which is another one of his films that I remember quite liking. Watching it now I still enjoyed it — and just like for Marnie, the fact that I forgot how it ends made it that much more enjoyable — but as is the case for a lot of these older films, they tend to include a lot of cringe-worthy and casual racism, and this one has quite a bit of it, and it makes it uncomfortable to watch. I don’t know if that scene with James Stewart in the restaurant in Marrakesh– awkwardly sitting at a table, washing his hands, and handling his food  — was supposed to be done for laughs, but it sure isn’t funny.


Ready Player One

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Well, I’ll start off by saying that I’m someone how actually had a good time reading the book, an act that seems to have become undefendable. As for the movie, I thought it had its moments and that overall I found myself having a pretty fun time with it. I think my main criticism is that it sorta leaves behind the heavy 80s nostalgia of the book — which is what I liked — to go all over the place. I did think it was pretty great to go heavy on The Shining though, that was pretty fun.

Making Fun: The Story of Funko

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For the longest time I really hated Funko — or what I’ve learned, is that I specifically hated Funko Pop figures. I did finally break down and get some earlier this year, when they released a James Bond series — I never see Bond figures, so couldn’t help myself. Since then, I’ve gotten used to seeing them on my desk, and don’t mind the aesthetic as much as I did. What I didn’t know was that Funko started out being inspired by 60s tiki culture and bobble-heads, and that stuff was really cool. I learned this from the documentary about Funko that’s on Netflix, that’s pretty entertaining to watch — just like the Toys That Made Us series, it’s fun to learn how all of these playthings came to be. It’s an impressive rise to see, and the fandom that accompanies it is pretty nuts too. I’m still not a complete convert to the Funko Pop — I am eyeing the Twin Peaks figures now though — but I do quite like all of those original bobble-head figures they used to produce.

Rope

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There so much great about this movie, from the fact that it takes place entirely inside that one apartment, to the way it’s made to look as if it’s just one continuous shot (there are just a few cheats, so they were still very long takes). And it’s enjoyable to see the interactions between all of the characters, as you find how they all relate to the victim.

A Quiet Place

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This was quite entertaining. I thought the first half hour was a bit too slow, and sure, there are some things that you just need to accept and not think too much about (why do they stay in that place, how did this nail never get noticed before, etc.), but overall it’s a great idea, and once things start moving along, it’s a fun ride all the way to the end. Makes me look forward to seeing the next movie John Krasinski decides to direct.

Mary and the Witch’s Flower

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This Ghibli-like movie is made by an ex-Ghibli director (Hiromasa Yonebayashi, who directed The Secret World of Arrietty and When Marnie Was There, the latter a film I really loved), within a new studio, Studio Ponoc, that is definitely trying to be the new Ghibli (now that Ghibli isn’t making a lot of movies anymore). I liked it, and it’s a beautifully animated film, but there’s something about that almost feels like it’s trying too hard to hit all the Ghibli notes — as my wife remarked, so many aspects of the film remind you of other Ghibli films. But despite all that, it’s really well done, and it makes me happy to see a studio like this that will continue the Ghibli legacy.

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